Resources

Through a collaborative approach, SAFE wants to provide a space to share our research results. By doing so, we intend to create advanced knowledge and make available tools and skills related to sustainability of film heritage between the scholarship and the field of film heritage.

Bellotti, Serena, Rossella Catanese, Clément Lafite, Valentina Valente, and Simone Venturini (eds.). Keep it Safe! The Sustainability of Italian Film Heritage. Milan: Meltemi, 2026.

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Bellotti, Serena, Rossella Catanese, ClĆ©ment Lafite, Valentina Valente, and Simone Venturini (eds).Ā SAFE – Final Report. Udine: DSL Press, 2026.

Lafite, ClĆ©ment, BeppeĀ Ferrari, Laura Falchi, and Francesca Caterina Izzo.Ā ā€œIninfiammabile?Ā Investigating the Existence of Cellulose Nitrate-Based 9.5mm Amateur Films,ā€ in LjungbƤck, Hugo, Luisa Trott and Patricia Ledesma Villon (eds.). ‘Reassessing Small Gauge, Amateur, andĀ NontheatricalĀ Film’,Ā The Moving Image, Vol. 26, No. 2, 2026 – forthcoming.

Catanese, Rossella, and Simone Venturini. ā€œSAFE – the Sustainability of Italian Film Heritage: Archival Infrastructures, Digital Preservation,Ā Stewardship Strategies,ā€ in Antoniazzi, Luca, Daniela Currò, and Simone Venturini (eds.), ‘Film Heritage and Environmental Sustainability. Cultural Policy, Stewardship, and Technologies,’Ā The Moving Image, Vol. 25, No. 2, 2026 – forthcoming.

Lafite, ClĆ©ment. ā€œAn Overdue Concern? An Account on Environmental Awareness in the Field of Film Heritage,ā€Ā in Antoniazzi, Luca, Daniela Currò, and Simone Venturini (eds.), ‘Film Heritage and Environmental Sustainability. Cultural Policy, Stewardship, and Technologies,’Ā The Moving Image, Vol. 25, No. 2, 2026 – forthcoming.

Catanese, Rossella, and Simone Venturini. ā€œMapping Italy’s Non-Fiction Archival Landscape: an Overview of the ā€œSAFEā€ Research Project.ā€Ā Journal of Film Preservation, No. 114, April 2026: 33-41.

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Bellotti, Serena, Rossella Catanese, and Valentina Valente. ā€œSufficiency or Excess: Analog and Digital Strategies for Film Heritage Sustainability.ā€
Cinéma & Cie. Vol. 25, No. 45, 2026: 135-153.

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Catanese,Ā Rossella, and ValentinaĀ Valente.Ā Digital Humanities e patrimonio filmico, in Cortini, Letizia, Luca Ricciardi, and Paola Scarnati (eds.)Ā Quarant’anni e oltre. Storie e prospettive di un archivio audiovisivo. Grosseto: Effigi Edizioni, 2025: 271-280.

Petrucci, Chiara. ā€œMemorie amatoriali: l’alluvione del Polesine dalla pellicola ai social,ā€ in Cesaro, Laura, e Giuseppe Previtali (eds.),Ā Immagini della fine. Visualizzare, testimoniare, ri-mediare la crisi ambientale. Milan: Meltemi, 2025: 39-54.

Catanese, Rossella,Ā andĀ Chiara Petrucci. ā€œRimediazione degli archivi di film: Digital Humanities e patrimonio audiovisivo.ā€Ā MagazĆ©n,Ā Vol. 5, No. 1, June 2024: 37-54.

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The following bibliography is based on criteria of relevance, specifically addressing issues that selectively respond to the main research questions and objectives: archival infrastructure, digital preservation, and stewardship strategies.Ā 

Adelstein, P. Z., J. M. Reilly, D. W. Nishimura, C. J. Erbland, and J. L. Bigourdan. ā€œStability of Cellulose Ester Base Photographic Film: Part V—Recent Findings.ā€ SMPTE Journal 104, no. 7 (July 1995): 439–47.

Gamma Group, ed. The Vinegar Syndrome: A Handbook : Prevention, Remedies and the Use of New Technologies. Bologna, 2000.

Nikolaidou, Elli, Harrison King, and David Coley. ā€œArchive Film Stores in the Global South: Can They Combine Film Preservation with Sustainability?ā€ Journal of Film Preservation, no. 104 (April 2021): 41–47.

Nishimura, Douglas W. ā€œUnderstanding Preservation Metrics.ā€ Rochester Institute of Technology: Image Permanent Institute, 2007.

Parks, Lisa, and Nicole Starosielski, eds. Signal Traffic: Critical Studies of Media Infrastructures. The Geopolitics of Information. Urbana: University of Illinois Press, 2015.

Venturini, Simone. ā€œFrom the Vaults: Unboxing Analogue Film Storage:ā€ Le Temps des MĆ©dias n° 39, no. 2 (November 24, 2022): 118–40.

Antoniazzi, Luca. ā€œDigital Preservation and the Sustainability of Film Heritage.ā€ Information, Communication & Society 24, no. 11 (August 18, 2021): 1658–73.

FIAF. ā€œThe Digital Statement: Recommendations for Digitization, Restoration, Digital Preservation and Access,ā€ n.d. https://www.fiafnet.org/pages/E-Resources/Digital-Statement-menu.html.

Jarczyk, Agathe, Reto Kromer, and David Pfluger. Digital Archiving of Film and Video: Principle and Guidance. Bern: Memoriav, 2017.

Kromer, Reto. ā€œMatroska and FFV1: One File Format for Film and Video Archiving?ā€ Journal of Film Preservation, no. 96 (April 2017): 41–45. https://retokromer.ch/publications/JFP_96.html

Pendergrass, Keith L., Walker Sampson, Tim Walsh, and Laura Alagna. ā€œToward Environmentally Sustainable Digital Preservation.ā€ The American Archivist 82, no. 1 (March 2019): 165–206.

Jones, Jimi, and Marek Jancovic.Ā The Future of Memory: A History of Lossless Format, Urbana: University of Illinois Press, 2025.

Cherchi Usai, Paolo. ā€œā€˜I Can’t Breathe’. Extinction Rebellion to Film Preservation.ā€ The Journal of Film Preservation, no. 103 (October 2020): 9–14.

Fossati, Giovanna. ā€œFor a Global Approach to Audiovisual Heritage: A Plea for North/South Exchange in Research and Practice,ā€ NECSUS, Autumn 2021_#Futures (n.d.).3

KƤƤpƤ, Pietari, and Hunter Vaughan. ā€œEnvironmental Media Management.ā€ In The Routledge Handbook of Ecomedia Studies. Routledge Environment and Sustainability Handbooks. London ; New York: Routledge, 2023.

Stoeltje, Rachael, South East Asia-Pacific Audiovisual Archive Association, National Archives (Singapore), and Coordinating Council of Audiovisual Archives Association, eds. Sustainable Audiovisual Collections Through Collaboration: Proceedings of the 2016 Joint Technical Symposium. Bloomington, Indiana, USA: Indiana University Press, 2017.