Risorse
Pubblicazioni
Bellotti, Serena, Rossella Catanese, Clément Lafite, Valentina Valente e Simone Venturini (a cura di). Keep it Safe! The Sustainability of Italian Film Heritage. Milano: Meltemi, 2026.
Bellotti, Serena, Rossella Catanese, Clément Lafite, Valentina Valente e Simone Venturini (a cura di). SAFE – Final Report. Udine: DSL Press, 2026.
Lafite, Clément. Ininfiammabile? Investigating the Existence of Cellulose Nitrate-Based 9.5mm Amateur Films, in Ferrari, Beppe, Laura Falchi e Francesca Caterina Izzo, in Ljungbäck, Hugo, Luisa Trott e Patricia Ledesma Villon (a cura di) “Reassessing Small Gauge, Amateur, and Nontheatrical Film”, «The Moving Image», Vol. 26, Num. 2, 2026 – in corso di pubblicazione.
Catanese, Rossella e Simone Venturini. SAFE – the Sustainability of Italian Film Heritage: Archival Infrastructures, Digital Preservation, Stewardship Strategies, in Antoniazzi, Luca, Daniela Currò e Simone Venturini (a cura di), “Film Heritage and Environmental Sustainability. Cultural Policy, Stewardship, and Technologies”, «The Moving Image», Vol. 25, Num. 2, 2026 – in corso di pubblicazione.
Lafite, Clément. An Overdue Concern? An Account on Environmental Awareness in the Field of Film Heritage, in Antoniazzi, Luca, Daniela Currò e Simone Venturini (a cura di), “Film Heritage and Environmental Sustainability. Cultural Policy, Stewardship, and Technologies”, «The Moving Image», Vol. 25, Num. 2, 2026 – in corso di pubblicazione.
Catanese, Rossella e Simone Venturini. Mapping Italy’s Non-Fiction Archival Landscape: an Overview of the “SAFE” Research Project. «Journal of Film Preservation», Num. 114, Aprile 2026: 33-41.
Bellotti, Serena, Rossella Catanese e Valentina Valente. Sufficiency or Excess: Analog and Digital Strategies for Film Heritage Sustainability.
«Cinéma & Cie». Vol. 25, Num. 45, 2026: 135-153.
Catanese, Rossella e Valentina Valente. Digital Humanities e patrimonio filmico, in Cortini, Letizia, Luca Ricciardi e Paola Scarnati (a cura di) Quarant’anni e oltre. Storie e prospettive di un archivio audiovisivo. Grosseto: Effigi Edizioni, 2025: 271-280.
Petrucci, Chiara. Memorie amatoriali: l’alluvione del Polesine dalla pellicola ai social, in Cesaro, Laura, e Giuseppe Previtali (a cura di), Immagini della fine. Visualizzare, testimoniare, ri-mediare la crisi ambientale. Milano: Meltemi, 2025: 39-54.
Catanese, Rossella e Chiara Petrucci. Rimediazione degli archivi di film: Digital Humanities e patrimonio audiovisivo, «Magazén», Vol. 5, No. 1, June 2024: 37-54.
Bibliografia
La bibliografia che segue è costruita secondo criteri di essenzialità, in riferimento specifico a questioni che rispondono in modo selettivo alle principali domande e obiettivi di ricerca: infrastruttura archivistica, conservazione digitale e strategie di stewardship.
Adelstein, P. Z., J. M. Reilly, D. W. Nishimura, C. J. Erbland, and J. L. Bigourdan. “Stability of Cellulose Ester Base Photographic Film: Part V—Recent Findings.” SMPTE Journal 104, no. 7 (July 1995): 439–47.
Gamma Group, ed. The Vinegar Syndrome: A Handbook : Prevention, Remedies and the Use of New Technologies. Bologna, 2000.
Nikolaidou, Elli, Harrison King, and David Coley. “Archive Film Stores in the Global South: Can They Combine Film Preservation with Sustainability?” Journal of Film Preservation, no. 104 (April 2021): 41–47.
Nishimura, Douglas W. “Understanding Preservation Metrics.” Rochester Institute of Technology: Image Permanent Institute, 2007.
Parks, Lisa, and Nicole Starosielski, eds. Signal Traffic: Critical Studies of Media Infrastructures. The Geopolitics of Information. Urbana: University of Illinois Press, 2015.
Venturini, Simone. “From the Vaults: Unboxing Analogue Film Storage:” Le Temps des Médias n° 39, no. 2 (November 24, 2022): 118–40.
Antoniazzi, Luca. “Digital Preservation and the Sustainability of Film Heritage.” Information, Communication & Society 24, no. 11 (August 18, 2021): 1658–73.
FIAF. “The Digital Statement: Recommendations for Digitization, Restoration, Digital Preservation and Access,” n.d. https://www.fiafnet.org/pages/E-Resources/Digital-Statement-menu.html.
Jarczyk, Agathe, Reto Kromer, and David Pfluger. Digital Archiving of Film and Video: Principle and Guidance. Bern: Memoriav, 2017.
Kromer, Reto. “Matroska and FFV1: One File Format for Film and Video Archiving?” Journal of Film Preservation, no. 96 (April 2017): 41–45. https://retokromer.ch/publications/JFP_96.html
Pendergrass, Keith L., Walker Sampson, Tim Walsh, and Laura Alagna. “Toward Environmentally Sustainable Digital Preservation.” The American Archivist 82, no. 1 (March 2019): 165–206.
Jones, Jimi, and Marek Jancovic. The Future of Memory: A History of Lossless Format, Urbana: University of Illinois Press, 2025.
Cherchi Usai, Paolo. “‘I Can’t Breathe’. Extinction Rebellion to Film Preservation.” The Journal of Film Preservation, no. 103 (October 2020): 9–14.
Fossati, Giovanna. “For a Global Approach to Audiovisual Heritage: A Plea for North/South Exchange in Research and Practice,” NECSUS, Autumn 2021_#Futures (n.d.).3
Kääpä, Pietari, and Hunter Vaughan. “Environmental Media Management.” In The Routledge Handbook of Ecomedia Studies. Routledge Environment and Sustainability Handbooks. London ; New York: Routledge, 2023.
Stoeltje, Rachael, South East Asia-Pacific Audiovisual Archive Association, National Archives (Singapore), and Coordinating Council of Audiovisual Archives Association, eds. Sustainable Audiovisual Collections Through Collaboration: Proceedings of the 2016 Joint Technical Symposium. Bloomington, Indiana, USA: Indiana University Press, 2017.