Risorse

Adottando una prospettiva di ricerca collaborativa e attiva, il progetto SAFE intende offrire uno spazio di condivisione dei risultati della ricerca, al fine di creare conoscenze avanzate e rendere accessibili strumenti e competenze rispetto ai luoghi critici della sostenibilitĆ  del patrimonio condivise tra mondo della ricerca, della formazione e della conservazione dei beni cinematografici.

Rossella Catanese, Chiara Petrucci
UniversitĆ  degli Studi della Tuscia
MagazƩn, Vol. 5, Num. 1, Giugno 2024

La bibliografia che segue ĆØ costruita secondo criteri di essenzialitĆ , in riferimento specifico a questioni che rispondono in modo selettivo alle principali domande e obiettivi di ricerca: infrastruttura archivistica, conservazione digitale e strategie di stewardship.

Adelstein, P. Z., J. M. Reilly, D. W. Nishimura, C. J. Erbland, and J. L. Bigourdan. ā€œStability of Cellulose Ester Base Photographic Film: Part V—Recent Findings.ā€ SMPTE Journal 104, no. 7 (July 1995): 439–47.

Gamma Group, ed. The Vinegar Syndrome: A Handbook : Prevention, Remedies and the Use of New Technologies. Bologna, 2000.

Nikolaidou, Elli, Harrison King, and David Coley. ā€œArchive Film Stores in the Global South: Can They Combine Film Preservation with Sustainability?ā€ Journal of Film Preservation, no. 104 (April 2021): 41–47.

Nishimura, Douglas W. ā€œUnderstanding Preservation Metrics.ā€ Rochester Institute of Technology: Image Permanent Institute, 2007.

Parks, Lisa, and Nicole Starosielski, eds. Signal Traffic: Critical Studies of Media Infrastructures. The Geopolitics of Information. Urbana: University of Illinois Press, 2015.

Venturini, Simone. ā€œFrom the Vaults: Unboxing Analogue Film Storage:ā€ Le Temps des MĆ©dias n° 39, no. 2 (November 24, 2022): 118–40.

Antoniazzi, Luca. ā€œDigital Preservation and the Sustainability of Film Heritage.ā€ Information, Communication & Society 24, no. 11 (August 18, 2021): 1658–73.

FIAF. ā€œThe Digital Statement: Recommendations for Digitization, Restoration, Digital Preservation and Access,ā€ n.d. https://www.fiafnet.org/pages/E-Resources/Digital-Statement-menu.html.

Jarczyk, Agathe, Reto Kromer, and David Pfluger. Digital Archiving of Film and Video: Principle and Guidance. Bern: Memoriav, 2017.

Kromer, Reto. ā€œMatroska and FFV1: One File Format for Film and Video Archiving?ā€ Journal of Film Preservation, no. 96 (April 2017): 41–45. https://retokromer.ch/publications/JFP_96.html

Pendergrass, Keith L., Walker Sampson, Tim Walsh, and Laura Alagna. ā€œToward Environmentally Sustainable Digital Preservation.ā€ The American Archivist 82, no. 1 (March 2019): 165–206.

Cherchi Usai, Paolo. ā€œā€˜I Can’t Breathe’. Extinction Rebellion to Film Preservation.ā€ The Journal of Film Preservation, no. 103 (October 2020): 9–14.

Fossati, Giovanna. ā€œFor a Global Approach to Audiovisual Heritage: A Plea for North/South Exchange in Research and Practice,ā€ NECSUS, Autumn 2021_#Futures (n.d.).3

KƤƤpƤ, Pietari, and Hunter Vaughan. ā€œEnvironmental Media Management.ā€ In The Routledge Handbook of Ecomedia Studies. Routledge Environment and Sustainability Handbooks. London ; New York: Routledge, 2023.

Stoeltje, Rachael, South East Asia-Pacific Audiovisual Archive Association, National Archives (Singapore), and Coordinating Council of Audiovisual Archives Association, eds. Sustainable Audiovisual Collections Through Collaboration: Proceedings of the 2016 Joint Technical Symposium. Bloomington, Indiana, USA: Indiana University Press, 2017.